In the hyper-polished, billion-dollar world of the Chinese entertainment industry, every star is a carefully crafted product. Their smiles are focus-grouped, their social media posts are state-approved, and their lives are the property of powerful, often shadowy, media conglomerates. We know, intuitively, that the price of fame is high. But a shocking report, circulating in the dark corners of the internet, alleges that for the late actor Yu Menglong, the price wasn’t just his freedom—it was his life.

This is not just another story of celebrity exploitation. It is a tale that begins with a “slave contract,” a document so exploitative it defies belief, and spirals into a macabre conspiracy that connects his death, state-sponsored crime, and the highest echelons of political power in China.

This is the alleged story of Yu Menglong, an actor who, according to these reports, was not just a product to be sold, but a resource to be consumed.

Part 1: The $28 Million Cage

The first part of this chilling narrative begins with a leaked document. Shortly after Yu Menglong’s death, a female executive named Chi Liuli allegedly broke ranks, leaking the contract the actor had been forced to sign with his agency, Tianu Media. The document, as described by commentators who have seen it, is not a contract; it is a bill of sale. It is a modern-DAY “slave contract” designed for one purpose: total, unbreakable, and eternal control.

The clauses, as reported, are the architecture of a gilded prison.

First, there was the clause of “Total Control.” Upon signing, Tianu Media would allegedly own all rights to the artist’s name, image, and voice. This is standard, if predatory, in some industries. But the Tianu Media contract added a terrifying addendum: this ownership was “forever,” continuing even after the contract was terminated. Yu Menglong, the man, might one day be free, but “Yu Menglong,” the brand, would belong to his masters for eternity.

This extended to his digital soul. The company would manage all his social media accounts, and all profits derived from them—sponsorships, fan engagement, all ofit—would permanently belong to Tianu. He was to be a ghost in his own online life, a face managed by a corporation.

Second, there was the financial enslavement. The revenue split was reportedly 70% for the company and a mere 30% for the artist. In a world of multi-million dollar-endorsements, this seems obscenely lopsided. But the 30% was likely a fiction. After the company deducted its “management fees,” “promotional expenses,” “housing,” and “travel,” it’s likely the artist was left with scraps, or worse, in a state of perpetual debt to the very company that was profiting from him. He was famous, but he may have been poor.

But the most diabolical clauses were those of obedience. The artist was required, by contract, to follow every single work arrangement provided by the company, “whether paid or unpaid,” without objection. This is the definition of indentured servitude. It meant he could be ordered to appear at any event, film any project, or meet any person, all for free, all for the “good of the company.” He was, in effect, a high-profile temp worker with no rights.

How could any person sign this? The answer lies in the final clause: the wall of fear.

The penalty for termination was reportedly a staggering 200 million RMB, or approximately $28 million. This number is not a real financial calculation. It is a psychological weapon. It is a sum so “unthinkable,” so impossibly high, that it was designed to crush any thought of escape. No young actor, even a successful one, could ever hope to pay it. It was a chain, forged in ink, that ensured he could never leave.

This contract, the report alleges, was what owned Yu Menglong. It meant his life was not his own. It meant he was, for all intents and purposes, the legal property of Tianu Media. And this, the commentators claim, is what made him the perfect, disposable victim for what came next.

Part 2: The Allegation That Shakes a Nation

As horrifying as the “slave contract” is, it merely sets the stage. The report then pivots to an allegation so dark, so sensational, that it almost defies comprehension. It claims that Yu Menglong’s death was a carefully orchestrated “sacrifice” and that his “slave contract” made him the perfect candidate because he was, legally and practically, a man with no agency, no way out.

The report cites a commentator, Su Xiai, who lays out the conspiracy in bone-chilling detail.

The allegation is this: Yu Menglong’s organs were forcibly harvested and transplanted into Xi Jinping’s 99-year-old mother, Chi Xin.

Let that sink in. The report claims that the death of a popular actor was, in fact, a state-sanctioned murder, carried out to provide a life-extending “service” to the mother of the most powerful man in the world.

This claim is, of course, explosive, unverified, and vehemently denied by the state. But the commentators who broke the story allege it is an open secret, kept alive because someone high in the Chinese Communist Party (CCP) is “deliberately keeping it alive” as a form of political leverage.

The alleged details are like something from a spy thriller. The report claims that 10 people were present during the “live organ extraction.” To ensure the secret was kept, four of those 10 people were later “silenced”—a euphemism for being killed.

If this sounds like the fantastical plot of a movie, the report is quick to ground it in a terrifyingly real context: China’s long and well-documented history of forced organ harvesting. For decades, human rights organizations, international tribunals, and whistleblowers have presented evidence that the CCP maintains an “industrialized,” state-backed system of harvesting organs from non-consenting donors. This has most famously been linked to prisoners of conscience, including Falun Gong practitioners and, more recently, the Uyghur population in Xinjiang.

The Chinese government has, of course, dismissed these allegations as politically motivated slander. Yet, they have also admitted to the existence of “special organ transport lanes” and green-light-style priority channels for organ transport across the country. The state claims this is to facilitate their new, “voluntary” donation system. Critics, including the authors of this report, allege this system is a cover, a logistical network designed to move freshly harvested organs from “donors” like Yu Menglong to high-paying or politically powerful recipients.

In this narrative, Yu Menglong was the perfect victim. He was young, healthy, and, thanks to his contract, a prisoner. He was a man who could be summoned to a “work arrangement” from which he would never return, and his $28 million penalty ensured he had no legal or financial power to refuse.

Part 3: The “Miraculous” Recoveries and the Longevity Project

The report doesn’t stop with Yu Menglong. It uses his horrifying story as a key to unlock other “mysteries” in the Chinese celebrity world. If the CCP is willing to do this for the President’s mother, who else is a beneficiary?

This is where the story turns to one of the world’s most recognizable martial arts stars: Jet Li.

For years, the public has watched with concern as Jet Li battled a serious case of hyperthyroidism. Photos showed him frail, aged, and a shadow of his former self. His health was, by his own admission, failing.

Then, suddenly, he was better. He reappeared in public, looking vibrant, healthy, and “miracaculously transformed.”

The new report links this recovery to the same dark system. It resurfaces an older rumor: that Jet Li allegedly received the heart of a 21-year-old monk named Chu Fang. The official story is that Chu Fang died in a car accident. The rumor is that he was a match, and he was killed for his organs.

In an attempt to quell these rumors, Jet Li reportedly filmed a video of himself, shirtless, to show that his body was scar-free. But in the obsessive, paranoid world of online detectives, this “denial” was seen as “proof” of a cover-up.

According to the report, “sharp-eyed” viewers found the video highly suspicious. They pointed to “unusually smooth” skin for a man of his age, a lack of armpit hair, and, most damningly, what they claimed was a “faint seam of artificial skin” under his arm. This, they allege, is a tell-tale sign of advanced surgical techniques used to hide the scars of a transplant.

Whether this is meticulous analysis or a “Q-Anon” level of pareidolia is impossible to know. But the story fits the narrative.

The report then names other high-profile figures, like martial arts legend Sammo Hung and TV host Ni Ping, who have also made “mysterious” and sudden recoveries from debilitating health issues.

It all points, the video alleges, to one grand, terrifying conclusion: a secret, CCP-sponsored “longevity project.” The theory is that the highest echelons of the party are using their absolute power to access a dark technology—a modern-day fountain of youth, fueled by materials harvested from the young and the healthy.

In this feudal, dystopian vision, celebrities are not just entertainers. They are divided into two classes. The majority, like Yu Menglong, are cattle—disposable products, controlled by slave contracts, whose bodies are a resource to be plundered when needed. The elite few, like Jet Li, are brought into the fold, offered a “miracred” new life in exchange for their loyalty, their silence, and their public support of the regime.

The Unknowable Truth

We are left with a story that is as unbelievable as it is terrifying. It is a story of a 70/30 revenue split that becomes a 100-to-0 organ harvest. It is a story of a $28 million prison that becomes a death sentence.

Is this the truth? Or is this a politically motivated fever dream, a piece of sophisticated anti-CCP propaganda designed to paint the Chinese government in the most monstrous light possible?

The chilling reality is that in a state with no free press, no independent judiciary, and a proven history of human rights abuses, the line between the unthinkable and the possible is terrifyingly thin. We, in the outside world, will likely never know what truly happened to Yu Menglong.

But the report, whether factual or fabricated, has done its job. It has taken the glittering, perfect facade of the Chinese star-making machine and revealed the rot it may be hiding. It suggests that the contract that strips an artist of his name, his money, and his freedom is just the first step. The final step is stripping him of his life.