“Hello everyone, I’m Matt Taibbi, a columnist for Rolling Stone magazine. In an investigative piece dated April 25, 2013, I once wrote a meaningful passage, essentially stating that for conspiracy theorists around the world, we—the skeptics—owe you an apology, because you were right. The list of the actual culprits might be a little different, but your core premise was correct: the world is a rigged game. However, the only reason this issue hasn’t received the attention it deserves is because its scale is so vast that ordinary people simply cannot grasp the full picture.”
Matt Taibbi’s observation is also entirely applicable to the Yu Menglong case, as well as to the country of China under authoritarian rule and privilege. Everyone knows that absolute power leads to absolute corruption, but few are willing to reflect on the fact that absolute power also breeds absolute cruelty—even perverse pleasures. In ancient Rome, nobles in the arena felt no guilt as they watched slaves being torn apart by hungry beasts. Similarly, the elite of the Chinese Communist Party (CCP) today—along with their seemingly respectable lackeys—under the protection of unchecked power, also possess desires and indulgences that go far beyond what the average person can imagine.
The only real difference now is that the universal values of our time will no longer tolerate the kinds of crimes seen in the Roman arenas. So what do they do? It doesn’t matter. In China, they can simply push these activities underground or offstage. But in a world where accountability for evil is still weak, these crimes more or less still get exposed, sometimes even exhibited publicly. Only the ‘exhibition pieces’ cannot speak for themselves—they silently endure a second harm. My words may sound mild, but their implication is profoundly terrifying, so terrible that heaven and earth must be outraged. The Yu Menglong case is exactly the proof: the heavens seemingly can no longer tolerate this. This truth must be laid bare.
A netizen concerned about the Yu Menglong case spoke very well: “People in mainland China finally rose up together and realized they are a gang!” It is not just power within the entertainment world but also hospitals, the police, the judiciary, government, the military, the social welfare system, hotels, social media platforms such as Weibo, Xiaohongshu, television stations, etc. Under the manipulation of CCP nobles and capital nobles, they collude with each other, exploit the people, organize terror activities involving disappearances, organ trafficking, horrific celebrity cases, perverse art, and even taboos such as “cannibalism.”
The so‑called “human meat factory” may be a metaphor—or maybe not. In short, under the protective umbrella of CCP nobility, these demonic acts thrive like a fish in water, turning ancient China into a furnace of punishment cloaked under the dazzling veneer of fine wine and neon lights. The entertainment industry plays a guilt-laden role, an especially serious crime. Because over the years, the entertainment world has greatly contributed to paralyzing the will of the Chinese people to resist.
From a long time ago, the CCP realized that entertainment’s function is not only to dull people’s minds but also to launder money. Stars can be used, even for ‘play,’ or for using their special energy in occult terror rituals, or to help “unify Taiwan.” Audiences in Taiwan watching my program—how many of them are still enamored with mainland variety shows, enchanted by CCP‑packaged stars, and unaware of it? They are voluntarily accepting the enchantment, filtering out real suffering to become part of the other side. From there, they no longer feel flesh‑cutting pain.
Therefore, the entertainment industry holds a non‑negligible role for the CCP. Yet no one foresaw that the Yu Menglong case would shock the entire domestic entertainment sector. It not only exposes a massive dark curtain over entertainment, but links to perverse artists, China’s bizarre human body and organ industry—one of the CCP’s most earth‑shaking evils. Now this entire issue is under social magnification, with countless netizens openly discussing it. This is the focus of what we’ll discuss today.
It all began on September 23, when the British medium Ty William suddenly mentioned that the spirit of Yu Menglong came to him. It is a phenomenon modern science cannot explain, yet it became an important clue for solving the case.
Why? Because Ty William is not Chinese, has no interest in Chinese entertainment, and did not even know who Yu Menglong was. His channel was very small, only a few thousand subscribers, and he had no intention to chase hot topics to gain traffic. Yet on September 23, he unexpectedly did a livestream, saying that Yu Menglong’s spirit had approached him to deliver a message. This caused many people’s worldviews to collapse. Perhaps through this event, people will reassess the relationship between their own lives and the universe.
Concepts like evolution or atheism are highly controversial in Western societies, but in China they have been turned by the CCP into compulsory textbook knowledge to memorize—doing no small harm. According to Ty William, Yu Menglong showed him a building like a warehouse where many people were imprisoned and slaughtered, including some stars. Many were locked in basements, even caged to force submission. Behind it was a vast dark force. Ty William also shared that Yu Menglong told him about the existence of occult ritual practices.
More specifically, Ty William said Yu Menglong claimed that in China, a warehouse would be demolished, and inside missing actors and politicians would be found. Note: he even mentioned missing politicians—could this relate to Qin Gang? This detail hasn’t expanded further. Ty William went on to say that powerful clans would collapse due to this, clearly alluding to CCP noble clans. Yu Menglong also told William about an underground facility, an underground club, where extremely cruel acts were performed on victims.
On Chinese social media, a comment from a netizen in Hebei was captured and widely shared, in which one horrifying sentence read: “There is a basement in 798, a big warehouse, inside like the ten tortures of the Qing Dynasty, used to punish those who do not obey.” Ty William mentioned a building like a warehouse and basement, and this Chinese netizen, in an unrelated post, also mentioned the same.
So what is 798? Friends in Beijing surely know that 798 now refers to a large art exhibition area in Chaoyang District, Beijing. Inside there are many exhibition rooms, such that one could spend a whole day without seeing them all. When people say “798,” they often refer to the entire area. Formerly, the site was the 798 factory owned by the CCP. The factory shut down, but the name 798 was kept and became the name of the art district.
A few years ago, a Chinese vlogger interviewed a very eccentric old man, who talked wildly, calling himself “King of 798” and dreaming of becoming the “demonic assassin king,” wanting to destroy all the people of a certain country. At the time, people didn’t think much, only assuming this old man was a bit mad. But looking back now, it really gives one chills.
The more you look at the exhibits in 798, the more bizarre they seem. For one, on social media a photograph circulated widely, suspected to be one of the exhibitions in 798, showing a “bloody bone person.” There were a total of nine images, posted to the 798 discussion board on the Gaode (Amap) app on September 6, before Yu Menglong’s death. Some netizens compared and found that the skull traits of this “bone person” are very similar to those of Qiao Renliang, who died tragically in 2016. They suspected this might be the corpse of Qiao Renliang, at least the skull, because it was too similar. Qiao Renliang’s corpse was then suspected to have been a 3D–printed fake and never appeared at his funeral. So where did the real body go?
The photo exhibited in the art show deeply weighed on many viewers’ hearts. The corpse preservation technology, the CCP has had it for a long time. After 1999, when the CCP began persecuting Falun Gong, the Jiang Zemin faction—specifically Bo Xilai—opened a human body processing factory in Dalian, where he had authority. They used plastination technology to preserve the bodies’ forms, and then exhibited these body samples around the world. Many corpses were suspected to be those of Falun Gong practitioners persecuted to death. Bo Xilai’s wife, Gu Kailai, also participated, and was suspected of converting one of Bo’s lovers and her unborn fetus into exhibition specimens.
The widow of Tu Ming, a close ally of Bo Xilai, Tian Hairong, is also one of the prime suspects in the Yu Menglong case. Recently, she and director Cheng Qingsong have publicly engaged in fierce quarrels online—which is very odd and further suggests they are not innocent. Beyond just the skull, the exhibit included the “bone person’s” clothing. Qiao Renliang, when alive, is said to have worn identical clothing. Also, in an exhibition at 798 of unknown time, there is a display resembling a human torso, evoking Qiao Renliang—even though no concrete evidence yet exists.
Another exhibition at 798 invoked associations with the Qiao Renliang case: thousands of red threads like blood vessels, connecting about 600 old shoes. Among them, one pair matched exactly the shoes Qiao Renliang once wore. This exhibition is said to have taken place recently at 798; some say it is by Japanese artist Chiharu Iwata, but similar works were exhibited since 2004, so direct linkage to the Qiao Renliang case is tenuous. However, there is also opinion that the 798 exhibition is a counterfeit of Chiharu Iwata’s work. Currently the information is contradictory, but many netizens suspect that the 600+ shoes were all distinct and used—and might be relics of over 600 victims. Could these be relics of those murdered in the underground warehouse at 798? That is too horrifying to contemplate deeply.
The Auschwitz Museum, which exhibits relics of Jewish victims, also uses shoes as exhibits. Beyond those related to Qiao Renliang, there are other horrifying exhibits in 798. For instance, a head—possibly a wolf’s head, but with eyes said not to be of the animal but human eyes implanted. Some netizens even link the eyes to a female actor connected to the Qiao Renliang case—she is currently missing, in a state of unclear life or death. So we won’t name her for now. Yet some argue the eyes were just plastic or glass replicas.
Additionally, there is a piece by a graduate of the Central Academy of Fine Arts, titled “Second Skin.” Many say the work looks extremely gruesome and not like fake skin. If that is true, is it plausible the creator is simply an art graduate? That is also suspicious. Some netizens say this is not art but perverse criminal behavior: exhibiting trophies or recreating crime scenes so that the perpetrators can continuously enjoy the pleasure of their crimes. Art has been used as an excuse by too many perverts. Publicly exhibiting such items is meant to terrorize the public, showcase superiority over potential victims, deliberately display evidence of crimes to mock the helplessness of the public—completely consistent with perverse criminal psychology.
People might wonder: what’s wrong with Chinese artists now? Actually, not just now. In the late ’90s and early 2000s, there was an ‘artist’ named Wang Yue who filmed videos of eating fetal tissue and posted them online. He even hired pregnant women, then at four months induced miscarriage and livestreamed dogs eating it, labeling that “sacrificial performance art.” Other perverse works around corpses existed—I won’t list them all for disgust. From the current situation, such perverse art has not disappeared, but many “artists” continue to pursue it. We’ll present more examples later.
How is this related to the case we speak of today? Before his death, Yu Menglong was very likely controlled in the basement of the 798 area. Why? Look at a schedule before his death compiled by netizens. His public schedule seems to have ended on August 29, when he posted a photo from behind at a place in Beijing with a red wall. Afterwards, there was no public schedule on Weibo. However, on the 798 schedule board, he had a personal photography exhibition at a gallery named 798 Cube. That was his last public schedule. The exhibition was called “Unfinished Edge,” held from September 6 to 12. Some netizens say the exhibition actually opened but was halted on September 11 due to Yu Menglong’s sudden death. On Xiaohongshu, there is a photo of Yu Menglong at 798 Cube, but the exhibition and related photos were not posted on his Weibo account, which is very strange.
Even more bizarrely, the appearance of 798 Cube looked like a warehouse, giving one chills. A netizen discovered that a photo Yu Menglong posted on Xiaohongshu at 798 Cube was abruptly deleted after his death—which means his Xiaohongshu account might still be in the hands of his perpetrators, and they may be erasing critical evidence.
Persons connected to the film industry also have murky ties to 798. For example, Cheng Qingsong visited 798 a few months ago and took photos in the area where red threads like blood vessels were displayed. The person in charge of exhibitions at 798, also founder of the AR6 gallery in the area, Xitao, is believed to be the boyfriend of Li Ming, a figure connected to the case. Currently AR6 is hosting an exhibit called “Evidence” by artist Li Yandid. In January this year, AR6 exhibited a foreign artist’s work called “Cooking Myself,” which included specimen-like body parts and even allowed visitors to heat them in a microwave.
In other words, according to the schedule, from September 6 onward, Yu Menglong should have been at 798, in the environment of perverse artists, to exhibit a photography show. But there is only schedule, no reports of the exhibition. So where did Yu Menglong go during that period? I suspect the perpetrators used the exhibition as a pretext, during the time from September 3 to 10—what might be called the “seven days of sacrifice”—to lure him to a specific place and act. The real place where he was held is likely a basement beneath an exhibition hall in the 798 area.
This is the information revealed by the British medium—without it, the public might never know. At this point I feel I’m witnessing a new version of Investiture of the Gods. In Investiture, gods assist people in the battle; both the Zhou and Shang dynasties had divine backing. The Zhou were supported by true gods, the Shang by evil ones. In the end Zhou defeated Shang, deposed King Zhou, and founded Zhou—justice triumphed.
The Yu Menglong case is similar. Is the CCP not trying to hide? Yet Yu Menglong’s spirit, like an arrow of message, came to the medium to reveal details of the murder. Miraculous! I once heard a very wise friend say that the CCP—this demon—cannot be destroyed by conventional means. Now everything seems to head in that direction. The strongest fighters exposing the CCP now are those who have faith, such as Falun Gong practitioners and the “Tuidang” (Withdrawal from Party, Youth League, Young Pioneers) initiative along with related websites. Behind them stand people of faith and extraordinary backgrounds.
The perverse artists gathering at 798 are not limited to fine arts; they may be tied to cinema. For instance, director Fang Li, one of the suspects in the Yu Menglong case, once claimed he saw hundreds of corpses. How would he have had the opportunity to see so many corpses if not working in forensic identification? Beyond forensic identification, those with the most access to corpses today are “artists.” It sounds absurd, but it is the terrifying reality in China’s art world today.
Some fine artists are frequently connected with death. Some might do it to satisfy their own perverse artistic needs; others may serve powerful elites, catering to their sick preferences for witnessing human torture to extremes. Relics of victims are exhibited, forming another chain of crimes separate from China’s organ trafficking chain. The prior chain is the black money chain involving tycoons, the military, police, judiciary, hospitals, etc. The later chain is the perverse preference chain involving perverse artists, horror museums and galleries, catering to the dark psychology of elites.
Qiao Renliang once said: “My enemy is art.” Yu Menglong once said: “Death can also be very artistic.” It turns out they were referring to what they knew, witnessed, even experienced—what we call “perverse art.” But that is not art; it is the play of demons.
It’s worth mentioning the location of 798, located in Jiuxianqiao. In Jiuxianqiao there is an old market street, said to be the place where the video of Yu Menglong being surrounded on the road occurred. That adds one more link to the logical chain. Let us arrange it: Yu Menglong was controlled within the 798 area for some reason; the photography exhibition was merely a pretext. Then he was really controlled, moved somewhere else, and finally murdered in the Yangguang Shengdong residential area—now mockingly called “Moonlight to the Western Realm” by netizens. Regarding Tian Hairong’s quarrel with Cheng Qingsong and mention of the Bulgari Hotel—which has a tunnel connecting to the Qǐhào art gallery and also a large basement—two possibilities arise: either Tian Hairong used a show of suffering to mislead and hide the fact that the actual crime site is 798, or this is another crime site. There is currently insufficient information to determine. I will continue to monitor.
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