
In the sprawling, complex, and now-infamous saga of the Eat Bulaga “family,” the public has been forced to navigate a minefield of “revelations.” For months, we have been inundated with stories from former “insiders,” each one chipping away at the wholesome, “happy family” legacy of the show’s patriarchs: Tito Sotto, Vic Sotto, and Joey de Leon.
We heard from Anjo Yllana, who spoke of “dark secrets” and alleged hypocrisy. We heard from the Sexbomb Dancers—Rochelle, Jopay, and Izzy—whose stories painted a picture of an “exploitative” and “unkind” system, a far cry from the paternalistic “family” they were supposed to be.
But all of those “bombshells,” it turns out, were just tremors. The “big one,” the “OMG” earthquake that would shatter the entire foundation, was waiting.
Now, it has allegedly arrived.
A new, explosive, and almost unbelievable report has surfaced, one that so completely eclipses all previous allegations, it redefines the entire “TVJ Issue.” The report alleges that Julia Clarete, the beloved, long-time host and “daughter” of the show, has “come forward” (“nilabas na sa publiko”) with the ultimate, most closely-guarded secret: a “lihim na anak,” a secret child… and that the child’s father is none other than “Tito Sen” himself, Tito Sotto.
This is the “OMG” moment. This is the allegation that ends the game. It is a claim so profound, so devastating, that it retroactively explains the most enduring mystery of the Eat Bulaga saga: Julia Clarete’s sudden, silent, and baffling disappearance from the show in 2016.
For years, this has been the central, unspoken question. Julia was not a peripheral figure; she was a core “Dabarkads.” She was a host, a singer, a “daughter” in the “family.” Then, one day, she was simply… gone. She vanished from the airwaves, moved abroad, and offered only vague, “personal life” explanations. There was no farewell, no fanfare, no tearful send-off. It was an exit so abrupt and so cold, it never made sense.
This new allegation, if true, provides the horrifying, heartbreaking, and “OMG”-worthy answer. It suggests her exit was not a “career move.” It was a “banishment.” It was the price of a secret that could no longer be kept in the studio.
This allegation completely detonates the “family values” persona that Tito Sotto has meticulously built over a 50-year career. This is a man who is not just a TV host; he is “Tito Sen,” a former Senate President, a statesman, a lawmaker who built his political brand on the very foundation of “morality” and the “sanctity of the Filipino family.”

An affair, which had been previously rumored, is one level of hypocrisy. A child is another universe of deception. A child is not a “mistake”; it is a parallel life. It is a living, breathing, human secret that requires a decades-long, complex web of silence, logistics, and lies to maintain. This allegation suggests a level of deception that is almost sociopathic in its execution. It alleges that Tito Sotto was on television every single day, preaching about “family,” while allegedly hiding a member of his own, secret family.
This is the “dark secret” to end all “dark secrets.” It paints all the other “revelations” as mere distractions. While the Sexbomb Dancers were alleging they were “disrespected,” this report claims Julia Clarete was allegedly living a nightmare, a woman who was forced to hide her own child to protect the “family values” image of the show’s patriarch. It suggests an unthinkable power imbalance, a story that is not just about a consensual “affair,” but about a young, vulnerable host and the powerful, married man who was her boss.
This allegation also plunges a knife into the heart of the “TVJ brotherhood.” The central, unanswerable question is now: “Who knew?”
If Vic Sotto and Joey de Leon knew about this “secret child,” then they are not just “brothers”; they are “enablers.” Their “loyG-alty” was not to each other, but to a pact of silence. It would mean that for years, they sat on that stage, laughing and joking alongside Julia Clarete, all while knowing this devastating, life-altering secret. It would make them complicit in the entire, decades-long deception. Their “happy family” was, in this scenario, the most cynical performance of all.
But what if they didn’t know? This, in some ways, is even more devastating. This would mean that Tito Sotto, their “brother,” the man they followed into a corporate war, the man they shed tears for, was the greatest deceiver of all. It would mean he lied to them, his closest friends, for decades. It would mean their “brotherhood” was a sham, a one-way street where they offered their loyalty to a man who trusted them with nothing.
There is no “good” answer here. Both possibilities annihilate the “brotherhood” myth.

And then, there is the most tragic figure in this entire saga: Helen Gamboa, Tito Sotto’s wife. We have heard reports that she was “furious” about the rumors of an affair. If this allegation of a child is true, what is the word for the emotion she must be feeling? It is a betrayal that transcends all human decency. It is a public humiliation that confirms her husband allegedly did not just have a “fling”; he had a family. It validates her “fury” and recasts her as the ultimate victim, a woman who has had to live with this “OMG” secret, perhaps for years.
This allegation is the true “TVJ Issue.” The war with TAPE Inc. was just a corporate dispute. This is the real story, the human story, the dark story that was festering beneath the surface. It re-frames TVJ’s “moral crusade” as the ultimate hypocrisy. They were fighting for a “legacy,” all while, allegedly, their leader was desperately trying to keep this one, explosive secret from destroying it.
The “OMG” is the sound of a 50-year legacy imploding. The “happy family” is gone. The “family values” statesman is unmasked. And at the center of it all is a woman, Julia Clarete, and the “secret child” she allegedly could no longer, in good conscience, hide.
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