In the dynamic and fiercely competitive landscape of modern Filipino music, P-pop (Pinoy Pop) has risen as a cultural behemoth, producing a new generation of superstars who command legions of dedicated fans. The industry is currently dominated by a “Big Three” of talent: the trailblazing “Kings of P-pop” SB19, the meteoric “Nation’s Girl Group” BINI, and the powerful “Aces of P-pop” BGYO. These groups have come to represent the new golden age of Filipino music. It was only a matter of time before the global stage came calling, but no one expected the call to come from one of the largest entities in the world: the e-sports giant, Honor of Kings (HOK). When HOK announced it was searching for a P-pop artist to represent the Philippines and create the theme song for its upcoming 2025 Kings International Championship (KIC), the community held its breath. The choice would not just be a concert booking; it would be a coronation, a definitive statement on which group truly represents Filipino talent on the world stage.

The stakes are astronomical. The Honor of Kings International Championship 2025 is not a minor event. It is a globally televised spectacle where professional teams from different countries will compete for a staggering 100-million prize pool. This is the Super Bowl of mobile e-sports. For such a massive event, the organizers, backed by one of the largest tech companies in the world, needed a musical act that could deliver a world-class performance, create a powerful anthem, and, most importantly, energize the massive Filipino fanbase. All three top P-pop groups were viable candidates. BINI is arguably the hottest group in the nation right now, dominating social media and streaming charts with their viral hits. BGYO is known for their razor-sharp, intricate performances and powerful stage presence. And then there is SB19, the group that started it all, the veterans who broke through international barriers and put P-pop on the global map.

Any choice would have been justified, but HOK’s management made a brilliant, and ultimately shocking, decision. Instead of making a quiet executive choice behind closed doors, they turned the decision over to the people who matter most: their players. The main Honor of Kings page posted a public survey, a simple question that ignited a firestorm in the P-pop community. They asked the players directly: “Who do you want to see perform the KIC theme song and represent the PH teams through music?” This was a high-risk, high-reward move. It was a direct battle of fanbases, a digital popularity contest, and the results were not just clear; they were an absolute landslide.

The comment sections were not a debate. They were a coronation. According to reports, the moment the survey went live, the majority of players began to “spam the same comments,” creating a deafening, unified roar for one group. Despite the undeniable popularity of BINI and BGYO, the gaming community’s choice was singular: they demanded SB19. This was not a quiet preference; it was a passionate, public insistence. The players, the core audience for the KIC 2025, made their voices unequivocally clear. This democratic verdict sent a powerful message, effectively silencing any debate about who the “Kings of P-pop” truly are. The gamers had spoken, and HOK listened.

SB19 and BINI are Billboard Korea's 'Voices of Asia' awardees | GMA  Entertainment

The question then becomes, why? In a year where BINI has dominated the cultural conversation, why did the gaming community, when given a choice, revert so powerfully to SB19? The answer lies in the group’s 7-year legacy and their carefully crafted brand. The transcript of the report notes that players cited SB19’s numerous awards and their proven track record. One of the most powerful reasons given was the “guarantee that… the Philippines will not be embarrassed.” This speaks volumes. BINI and BGYO are phenomenal talents, but SB19 are established veterans. They have already performed on international stages, collaborated with global artists, and consistently topped Billboard charts. They are, in the eyes of the public, a proven and reliable entity. For a high-stakes, 100-million prize pool international event, the players did not want a promising rookie; they wanted the seasoned, undisputed champion.

This choice is a testament to the specific brand SB19 has built. They are not just a pop group; they are a symbol of Filipino resilience and excellence. Their 7-year journey from unknown trainees to international stars is a story that resonates deeply with the competitive spirit of e-sports. Their music, often anthemic and powerful, provides the perfect soundtrack for a “battle.” The players see their own fight in SB19’s journey. When the Filipino pro-teams walk onto that stage, they will be backed by an anthem from a group that has already fought and won its own battles on the global stage. It is a perfect symbolic match.

This decision should not be seen as a “snub” or rejection of BINI and BGYO. Both groups are on incredible trajectories and will undoubtedly have their own major international moments. Instead, this event clarifies the different, yet equally important, roles these groups play in the industry. BINI has captured the heart of the nation, becoming the “Nation’s Girl Group.” But this HOK vote proves that when it comes to representing “Team Philippines” to the rest of the world, the public still overwhelmingly points to SB19. They are the flag-bearers.

From a marketing perspective, HOK’s strategy was flawless. By letting the players choose, they have generated an unprecedented level of hype for the KIC 2025 theme song. They did not just hire an artist; they honored the voice of their community. The entire fanbase is now personally and emotionally invested in this collaboration. It is a win for HOK, a win for the Filipino e-sports teams, and a massive, undeniable victory for SB19. It confirms that after seven years of hard work, their legacy is secure, their awards are more than just trophies, and their title as the “Kings of P-pop” is not just a slogan—it is a mandate, democratically delivered by the fans themselves.